scmorgan A Gringuita in Costa Rica: Expat Reflections from the Free Zone

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MOPT- Half of the Story~

12/02/2008, by scmorgan 2 comments

“Yes, this is the right office, but you must go to the Banco Nacional and pay 10,000 colones each before I can renew these driver’s licenses,” said the nice man behind the glass partition separating us. “And anyway, our system is down right now. I won’t be able to do anything for you today.”

This was something new; not the fact that the system was down, that was common enough. It was the fact that he told me about it so I didn’t make a second trip after paying at the bank that was so remarkable. This, in my estimation, is real progress and I told him so.

“Thank you so much for telling me.”

“Con mucho gusto,” he replied as we left the MOPT office.

Alan and I had been eyeing at our driver’s licenses for the past month, aware that they would need to be renewed this month, with the same anticipation as an upcoming colonoscopy.

It was our first trip to the MOPT (the equivalent of the DMV) office outside Limon. Finding it had been no simple task. We asked in town and were directed out past the prison, and further out beyond the truck yards, where containers were stacked like oversized Legos, and finally behind the bus yards for TRACASA, through a chain link gate with the rusted and barely visible sign reading MOPT, to ultimately find the transportation department offices.

We bounced our way over the rough gravel entrance and finally arrived at a group of rundown buildings that used to be blue. Out back was a chain link fence surrounding the impounded vehicles like some vehicular gulag. We parked and walked to the building entrance where we found the familiar socialistic line of people standing idly, leaning against anything vertical for support, most of them twiddling their cellular phones.

“Is this the line?” I asked the woman in the tight black lyrca pants at the end, to which I received a jutted jaw as she pointed with her lips toward the inside of the building. We entered the grubby office and found two windows, both without any line in front of them. Surely it couldn’t be this easy.

It wasn’t.

The man in the first cubicle informed me that I needed to speak to the gentleman behind the second window, who was idle as well. It was this man who told me about the failed system and the bank.

In the old days–a mere ten years ago– they would never have given us the secondary information. It was as though they got some morbid glee out of making a person make multiple trips to get anything done. I believe Franz Kafka took his training in places like this.

We left and drove the five miles back to Limon to pay the fee at the bank. The line stretched down the block as people waited for the bank to open. I realized it was not only a Monday, but also the first of the month and we were going to be hours waiting for people to get their pensions, make their weekly deposits and whatever other business they felt the need to conduct.

Ah, another dead-end in one of the many labyrinthine routes to a fairly innocuous chore. I left and we went about getting other chores done. It then occurred to me that perhaps our own bank, the Banco de Costa Rica, might have an account with MOPT and we went to that bank. Same deal, but I persevered and entered. I went to one of the ubiquitous armed guards that are in every bank and increasingly in every business that handles cash.

“Hi. Can you tell me if the bank has an account with MOPT. I need to pay for my license renewal.” I said, giving him my best smile.

“Let me see your license.” I handed him my driver’s license.

“You can’t renew this now. It’s not expired yet. See, the expiration date is on the 13th. Come back on the 14th.”

“Sir, the license will be expired by then and the police will give us a ticket. I just need to know if the bank has an account with MOPT” I could feel my jaw getting tight. Try to smile, I reminded myself.

“Here is the telephone number, you have to make an appointment.” Defeated I left with the phone number.

On the way home I called the number he had given me using my cell phone. No, I did not need an appointment; I could go directly to the MOPT office. Yes, I could pay at the bank.

We went home stopping off at our local branch office and paid for our renewal. It was during this transaction that I learned I could have done this online myself and the name of the agency was COSEVI not MOPT. Oh, well.

We were half way to being renewed: We had receipts showing we had paid, but still had expired licenses.

(to be continued)

Blog contents copyright © 2005-Present SC Morgan. All rights reserved..
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Dot to Dot~

31/01/2008, by scmorgan 2 comments


A writer friend has a blog entry about “narrative arc,” in memoir. While I am not writing memoir (at the moment) I do see what he is angling after when talking about writing essays that string together to tell a linear story.

His point was, I think, that when events cause us to change at a certain age we do not need to remind readers of these events in every essay throughout the book, but, rather, we need to see growth from that starting point to a completed person or, at least, a more reflective person by the end of the book. That is the difference between stand-alone essay and narrative arc essays.

I am reading David Sedaris’ Naked at the moment and I think the same could be said of that memoir. Each essay can stand alone, but all link together to form an amalgam of the person as he grows up.

The other interesting thing I have been thinking about recently, and this reflects back to one of the best books written on the subject of story as far as I’m concerned, Jon Franklin’s, Writing for Story, is backstory and story. In it, Franklin talks about backstory, or what the piece is really about, which can be quite different than the surface story.

So, if we want the reader to connect the dots of the backstory we must carefully draw them in a pattern that can be easily followed. But whether the reader interprets the message the same way we intended or not would be up to each individual. To me this makes for a much more fulfilling essay than one that is a clear message, tidily wrapped up with a bow on top.

As my UCLA instructor, Gordon Grice, recently said: “And here’s an interesting phenomenon: Sometimes a reader sees a meaning in your work you didn’t know about at all, but which immediately strikes you as true. This is possible because the story itself knows more than you do, contains many possibilities.

Sometimes the reader discovers things in your story that strike you as great revelations about yourself. This is perhaps the biggest pay-off a writer ever gets. And it can only happen if you haven’t closed off the discussion in advance by nailing the meaning down to your own special theory.”

Blog contents copyright © 2005-Present SC Morgan. All rights reserved..
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Backstory in Nonfiction~

26/01/2008, by scmorgan 2 comments

This month Brevity has an excellent craft essay by Phillip Gerard on truth in nonfiction or, more accurately, backstory in nonfiction. He tells the tale of himself as a cub reporter being sent to the local high school to get a “hero story” about a boy who saved his girlfriend from a burning car. He gets the story and his first front page byline. His career is launched. He is proud.

Years later he discovers quite by accident that he only got part of the story because of questions he failed to ask at the scene of the heroic rescue. It turned out, ironically enough, that the boy had actually locked his girlfriend in the car during a squabble, set the fire to the vehicle, and then, having second thoughts, pulled her to safety. Quite a different story than the first version.

What a great story Gerard tells at his own expense. And what a great reminder to those of us who write nonfiction that the story we perceive is not always the actual truth.

I am in the process of trying to tell a long and incredibly intricate tale of a land-deal-gone-bad in a foreign country. I am all too aware that many of the facts of this case are presented from my point of view and, as such, are inherently flawed. I know Mr. Gerard is right in his main point in this essay: backstory drives present action.

Gerard goes on to say:

Sometimes the facts do indeed point to an obvious story. But more often there is a larger true thing, a Big Fact, behind the Facts of the Case. It is this fact behind the facts that determines the meaning of all the other facts, creates a context for interpreting what our eyes are seeing and what our informants are telling us, and dictates the true syntax of a story.

For every story, like every sentence, has a syntax: a dynamic architectural cohesion that determines meaning, based on three qualities that every word in a sentence has—as does every element of a story:

1. Sequence: in what order the elements are arranged, and where in that sequence any particular element fits.

2. Priority: the importance of any element relative to other elements.

3. Relationship: a special connection to each other element and to the story as a whole.

This, then, is the driving force behind any good narrative, isn’t it? It is the deeper truth we search for and discovering it requires more exploration than simply the surface facts.

He concludes by holding all of us who write nonfiction accountable for knowing the difference. Indeed.

Blog contents copyright © 2005-Present SC Morgan. All rights reserved..
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Online Writing Classes~

20/01/2008, by scmorgan 2 comments

I’ve taken my fair share of online writing classes. Some of them have been worth it, but most of them not. The best of them have been given by UCLA Extension. At least the last one I took got me a published piece, and the payout on it more than paid for the class. So there is that.

The one I am currently enrolled in seems to fall into the positive category. The class is titled: Intermediate Nonfiction and is taught by Gordon Grice. The idea is to generate about 30 pages of “completed nonfiction.” I’m not sure what that means exactly, but I am at least feeling the pressure of generating about a 1000 words a day. Some people are writing a series of essays, like me, while others a section of memoir.

Today was a 2500 word essay about a Kingfisher I saw on the beach this morning and a memory of one I saw in my youth. It is far from complete but the bones are there. Now I have to go back and figure out the reason why I wrote what I did. I know there is a message in there lurking; I just haven’t found it yet. Isn’t it the way with writing essays?

I have a mere 26 more pages of writing to go before the revisions start next month. I might be a bit absent in the weeks to come; the writing is coming (at least today) and I don’t like to interupt it.

The class ends at the end of March, but I’ll post ideas and parts of essays as they come up.

Blog contents copyright © 2005-Present SC Morgan. All rights reserved..
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An Ode to the Cliché~

16/01/2008, by scmorgan 1 comment

In honor of the Lake Superior State University Banished Words List for 2008.

Back in the day I was just a wordsmith (wordsmyth, if you prefer) who didn’t know a cliché when I saw one. The tipping point came after several people pointed out to me how I used clichés like a truck farmer uses seeds. The surge of complaints from readers created a perfect storm, and I discovered to my chagrin that my writing had become, at best, subprime.

In a perfect world I could have avoided all these words, but they came so naturally to me. Finally, I realized I would need to improve to surpass the 2.0 (two point oh, if you prefer) brand of writing I was turning out. I had to move beyond the norm and push my prose forward toward the cutting edge of the craft.

That being said, it was a lot harder than I thought. It required me to begin thinking outside the box, and, here’s the thing, it became rather problematic when I discovered that I couldn’t write a sentence without a cliché in it to save my life. But, be that as it may, I was determined to make things right. After all, I want my writing up there with the best, to be sold to the best publications not just the low hanging fruit of the industry.

I believe I can create a game plan for my own empowerment so I can achieve these goals. Money is no object, so I’m seeking help from anyone who might have some insights for me. And, in the long view, I feel I will be able to elevate my writing so that I am not simply writing pieces that are singing from the same hymn sheet, but, instead, pieces that actually resonate with the reader.

I’m ready to approach the situation in a new way. Let me turn it on its head in order that my writing becomes more full and frank, because, at the end of the day, only writing that is truly robust will become state-of-the-art.

So, going forward, I have made a pact with myself; the check is in the mail. It will happen. Unless…

Am I missing something here? .

Blog contents copyright © 2005-Present SC Morgan. All rights reserved..
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Of Sushi and Little Girls
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Grandmother Always Loved You Best~
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Learning to Ignore Lonely Planet~
Camarones, Por Favor
Chirm, Wiggly, Penholder~
A Chance Meeting~
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Mother's Day Quotes~
Lost Souls & Infant Potty Training
Wollemi pines and Megabats~
Stress: My Former Constant Companion~
At Large and At Small at IRB~
A Big, Big Thinker~
Page 123~
Leap Year~
Me, Obaachan~
To MFA, or Not To MFA~
MOPT II- The Second Half of the Story~
MOPT- Half of the Story~
Dot to Dot~
Backstory in Nonfiction~
Online Writing Classes~
An Ode to the Cliché~
An Accidental Writer~
A Little Bite, Please~
The Winter Solstice~
Peace On Earth~
The Thing on My Desk~
Into the Ears of Cleaning Ladies~
Time for a Post~
Book Reviews~
Computer Poltergeists~
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Blog Fatigue~
The Kingbird Convention
Wanted: Virus. Short-term Use Only~
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Some Thoughts on My Father-in-law
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Amazing Husbands
Separate in Another World
Cleaning Up Around the Place
Breakfast With the Howlers
Red Letter Day!
Jungle Cats and the Old Revision Blues
Everything Wiggly and Poisonous
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Headed for Japan with Pnuenomia
I Finally Get a Cell Phone
Cell Phones and How to Get Them
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scmorgan grew up in the Pacific Northwest where she learned not everything is black and white. Now she lives in the jungles of the Costa Rica where shades of gray cover the full spectrum. Her work has appeared in Bluestem, Camroc Press Review, Notre Dame magazine, among others. Sometimes she blogs and sometimes she just lives her life.

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